Showing posts with label Baroque Period. Show all posts
Showing posts with label Baroque Period. Show all posts

Thursday, March 21, 2019

Happy 334th birthday, Johann Sebastian Bach!

Fun Bach fact 2: The formal title of every work composed by Bach is followed by a BWV (Bach-Werke-Verzeichnis or Bach-Works-Catalogue) number. First published in 1950 by Wolfgang Schmieder--who was probably very boring at parties--the BWW system assigned a unique number to each of the 1,126 known written works of Bach. Unlike the far-more-useful-in-my-humble-opinion Köchel catalogue that assigns numbers to every known work of Mozart chronologically, the BWW assigns its numbers by genre. Which isn't even a German word.

Happy 334th birthday, Johann Sebastian Bach!

Fun Bach fact 1: Johann Sebastian Bach is considered to be one of the definitive composers of the Baroque Period in music, which lasted from 1600 until Bach's death in 1750. Following the Renaissance Period, which explored independent, interweaving melodic lines in a style known as polyphony, Baroque music introduced the concept of tonality, where music was written in an established key. The highly ornamental and often improvised music of the Baroque followed the key-based chord progressions played by the lower instruments of the basso continuo.

And though all symphonic music from the Baroque Period forward is collectively known as "classical music," the official Classical Period as we define it today directly followed the Baroque, lasting from 1750 to 1825. Its definitive composer was Wolfgang Amadeus Mozart.

I’LL BE BACH WITH ANOTHER FUN FACT SOON!

Monday, March 18, 2019

#SparksOfJoy: A weekly post about something that makes me happy

Felix Mendelssohn: Violin Concerto in E minor, Opus 64: A concerto is a musical structure dating to the Baroque period (roughly 1600-1750) that features a solo instrument backed by a full orchestra. It’s traditionally composed in three movements with a fast-slow-fast structure. Mendelssohn’s Violin Concerto (composed in 1844, which puts it squarely in the Romantic period) is a lighthearted delight that explores a range of happy, inarguably beautiful and requisitely contemplative musical voices in its first two movements. But its third movement--a bouncy, exuberant celebration of musical virtuosity titled Allegretto non troppo – Allegro molto vivace (starting at 22:06 in this recording)--is completely joyful and captivating and downright triumphant for any violinist who masters it. Part of its joy stems from Mendelssohn’s placement of the violin solo mere moments after the downbeat of the movement instead of letting the orchestra introduce the solo, as had been the convention for 200 years. Romantic music is about emotion--often extreme emotion--and the joyful emotions of this third movement leap at you with no room for impatience or distraction.

Friday, May 18, 2018

Flashback Friday: Garish Vulgar Porn Edition

The Uptown Broadway Building--a 1926 Spanish-baroque riot of ancient gods, weapons of war, ceremonial urns, feral animals and Gothic windows all framed in a block-long regiment of ram-horned Ionic columns and sealed in gilded terra-cotta--was at first by serendipity and eventually by a little bit of intent always within walking distance of every place I lived in Chicago.

An architect friend of mine in Chicago--an incredibly bright man with a world of knowledge and an adventuresome aesthetic--called the building "architectural porn" with a mixture of awe, fascination, guilty indulgence and appalled respect. And if you know me and my garish, vulgar tastes, you know I enthusiastically subscribe to the more-is-more-and-always-heap-on-more-more-more school of architectural ornamentation. And since we were always in the same ZIP code, the Uptown Broadway Building's garish, vulgar architectural porn was MY garish, vulgar architectural porn. And even though I lived by the Wilson stop on the Red Line, I often used the Lawrence stop--the next stop north on Broadway--just so I could walk by my garish, vulgar, architecturally pornographic building morning and night. And often photograph it. And post the photos all over Facebook, where they frequently pop up in my memories to give me happy little hellos from my garish, vulgar, architecturally pornographic old friend. (Didja notice all those Ands? MORE IS ALWAYS MORE!)

Tuesday, March 21, 2017

Happy 332nd birthday, Johann Sebastian Bach part 2!

Fun Bach fact 2: The formal title of every work composed by Bach is followed by a BWV (Bach-Werke-Verzeichnis or Bach-Works-Catalogue) number. First published in 1950 by Wolfgang Schmieder -- who was probably very boring at parties -- the BWW system assigned a unique number to each of the 1,126 known written works of Bach. 

Unlike the far-more-useful-in-my-humble-opinion Köchel catalogue that assigns numbers to every known work of Mozart chronologically, the BWW assigns its numbers by genre. Which isn't even a German word.

Happy 332nd birthday, Johann Sebastian Bach!

Fun Bach fact 1: Johann Sebastian Bach is considered to be one of the definitive composers of the Baroque Period in music, which lasted from 1600 until the year of Bach's death in 1750. Following the Renaissance Period, which explored independent, interweaving melodic lines in a style known as polyphony, Baroque music introduced the concept of tonality, where music was written in an established key. The highly ornamental and often improvised music of the Baroque followed the key-based chord progressions played by the lower instruments of the basso continuo.

And though all symphonic music from the Baroque Period forward is collectively known as "classical music," the official Classical Period as we define it today directly followed the Baroque, lasting from 1750 to 1825. Its definitive composer was Wolfgang Amadeus Mozart.